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Edvard Grieg, Lyric Pieces



“Every note that he draws from his piano speaks of a desire for technical and stylistic perfection that is found only amongst the masters.” DIAPASON

In 1973, at the Bath Festival, Crossley gave the world premiere of Tippett’s Piano Sonata No. 3, which was commissioned by him, and overnight achieved international recognition as one of the major pianists of our time. For more than 40 years his brilliant technical and artistic command has been heard in music from all periods, but particularly in the French repertoire, and in the remarkable range of new music from many countries which he has championed. Composers who have written music especially for him include: Tippett (Piano Sonatas No. 3 and No. 4), Henze, Berio, Takemitsu, Gorecki, Adams, Lindberg (Piano Concerto No. 1 and Etude II), Salonen, Knussen and Benjamin.

Edvard Grieg, Lyric Pieces


The composition of Grieg’s “Lyric Pieces” spanned more than three decade, with the first selection of these beautifully economical works being published in 1867 and the last volume finally seeing the light of day in 1901. Paul Crossley’s splendid CRD recital focuses attention on two dozen of these enchanting pieces for solo piano, including “Butterfly,” “To Spring” and Grieg’s most famous keyboard creation “Wedding Day at Troldhaugen,” which was apparently inspired by the celebrations marking the great Norwegian composer’s own silver wedding in 1892. Kevin Bryan Leicester Mercury, Luton News, Surrey Mirror