"A truly phenomenal Liszt recording"
"Sometimes you come across a recording that just sounds definitive and silences any sort of criticism. Such recordings are quite rare but I would like to suggest that this is one of them. Straight away from the opening Chapelle de Guillaume Tell Sinae Lee is magnificent and I was completely blown away by her playing. If I come across a finer solo piano recording than this in the next 12 months I will be surprised - it’s that good...there’s not a weakness to be heard - just brilliant musicianship for the best part of 3 hours. I have a very short attention span. I usually listen to a few minutes of a new CD, move onto something else and then return to it later. It was impossible to do that with this version of Années de pèlerinage. I was drawn into it for the full duration in one sitting. There’s not one moment of bombast. It’s all about world class technique, supreme phrasing, the ability to make a connection with the audience and having a deep understanding of the music. Ms Lee also “goes for it” in a very big way and she is clearly an artist who enjoys taking risks. The recording quality is natural, clear and has fine presence. In summary this really is a must buy set. I’m no Listzian but this has come as close as possible to converting me. I hope that Nimbus follows this up with more recordings from Ms Lee. She deserves to be heard." John Whitmore, MusicWeb-International.com, April 2014
“I have always thought that Liszt’s Années de Pèlerinage (Years of Pilgrimage) haven’t had the popularity on disc that they deserve with many pianists preferring to play selections as part of a recital… Turning to this new issue, such is the immediacy and spontaneity of these performances they have the feel of a live performance. Perhaps they were recorded using long takes with little or no editing. However they were done, they are performances of power and authority showing clearly that Sinae Lee has these works in her repertoire… She has a crystalline purity to her playing as well as great fluency yet in such pieces as Sonetto 104 del Petraca from the Second Year (CD2) she displays phenomenal technique in playing that conjures up pure Lisztian spirit… When so many pianists show a clinical perfection but little character it is wonderful to hear a pianist that is not afraid to take risks especially when the results are as fine as this. I doubt that there will ever be a single first choice in this repertoire with all its different moods but certainly Sinae Lee’s magnificent recording should be heard by all Lisztians. It will be the performance that I return to most frequently.” theclassicalreviewer.blogspot.com