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Grainger The Complete Piano Music

NI1767
£29.99

Details

Dished up for Piano!

The complete Piano Music of Percy Grainger in this 5 CD set from Martin Jones. This set is a must buy for any piano enthusiast.

Grainger The Complete Piano Music

Tracks

Disc One  Total playing time 71.35

Handel in the Strand

Bridal Lullaby

English Waltz

Mock Morris

To a Nordic Princess

In a Nutshell – Suite

Peace

Saxon Twi-play

Andante con moto

Children's March

The Immovable Do

Sailor's Song

Colonial Song

Walking Tune

Harvest Hymn

In Dahomey

 

Disc Two Total playing time 58.56

Tchaikovsky - B flat minor Piano Concerto (opening)

Brahms - Cradle-song

Gershwin - Love Walked In

Rakhmaninov - Second Piano Concerto (3rd Movement)

Dowland - Now, O now, I needs must part

Elgar - Nimrod Richard

Strauss - Ramble on the last love-duet in Der Rosenkavalier

Chinese Melody - Beautiful Fresh Flower

Tchaikovsky - Paraphrase on the Flower Waltz

Foster - Lullaby from 'Tribute to Foster'

American Song - The Rag -Time Girl

Bach - 'Blithe Bells'

Bach - Fugue in A minor

Gershwin - The Man I Love

 

Disc Three Total playing time 68.26

Country Gardens

The Merry King

Molly on the Shore

Irish tune from County Derry

Knight and Shepherd's Daughter

The Nightingale and the Two Sisters

Jutish Medley

Sussex Mummers' Christmas Carol

The Rival Brothers

Near Woodstock Town

Will ye gang to the Hielands, Lizzie Lindsay

The Brisk Young Sailor

One more day my John (easy version)

Rimmer and Goldcastle

Spoon River

The Widow's Party

The Hunter in his Career

My Robin is to the Greenwood gone

Died for love

Scotch Strathspey

One more day my John (complex version)

Bristol Town

Hard-hearted Barb'ra Helen

Mo Ninghean Dhu

Lisbon (Dublin Bay)

Stalt Vesselil

O Gin I were where Gowrie rins

Shepherd's Hey

 

Disc Four Total playing time 77.19

Stanford - Four Irish Dances

Fauré – Nell & Après un Rêve

Schumann - Piano Concerto, First Movement

Tiger-tiger

Delius - Air and Dance

Handel – Hornpipe

Bach - Toccata and Fugue in D minor

Lullaby from "Tribute to Foster" (Easy Grainger)

Angelus ad Virginem

Klavierstück in E

Eastern Intermezzo

The Bigelow March

Grieg - Piano Concerto, First Movement

At Twilight

Klavierstück in A minor

Klavierstück in B flat

Klavierstück in D

 

Disc Five Total playing time 78.13

With pianists Richard McMahon and Philip Martin

Children's March: "Over the Hills and Far Away"

Up-country Song (Colonial Song)

English Dance Ye Banks and Braes o' Bonnie Doon

"Spoon River" - American Folk Dance

Train Music

Zanzibar Boat-Song

Brahms' Paganini Variations, No. 12

Green Bushes - Passacaglia on an English Folksong

William Byrd's Air and Variations for the Virginals "The Carman's Whistle"

Delius' "A Dance Rhapsody"

Gershwin's "Embraceable You" (from Girl Crazy)

The Warriors - Music to an imaginary ballet

Reviews

"Martin Jones is a superb advocate for this rich kaleidoscope. His playing is delightfully exuberant and he is able to reach both the thunderous heights of power demanded by the Tchaikovsky concerto transcription and the delicacy of fingerwork required in folksongs such as 'Molly on the Shore'. He handles Grainger's complex counterpoints and voicing with superb clarity, achieving quasi-orchestral textures and colouring ..."

Jessica Duchen, BBC Music Magazine

"2011 marks the fiftieth anniversary of Percy Grainger’s death and the event has witnessed the reissue of a number of important recordings. This isn’t one such, because it’s remained in the Nimbus catalogue throughout, but I did want to draw brief attention to this super-abundant, characterful, and wholly marvellous five CD set of the complete piano music, played by the indefatigable, stylistically apt Martin Jones. He’s one of the undersung masters of a variety of repertoire – as good in Iberian music as he is in British, I’d suggest.
 
Here his encyclopaedic survey acts as a modern day cornerstone. You should hear his recordings, if you are excited by Grainger, and compare and contrast them with the composer’s own recordings, all the 78s at any rate. The experience is both exciting and diverting. But Grainger only recorded (and re-recorded) a fraction of his own pieces, whereas Jones has collared the lot. And how!
 
The first disc starts with some classic Grainger; the brio, clarity and speed of Jones’s take on Handel in the Strand is a tonic whilst To a Nordic Princess rises to a passionate pitch of assertion. In a Nutshell is a suite the charms of which seldom pall, and in this performance Jones crafts an unusually expressive Pastoral, slow and spare then incrementally building up in sonority, power and speed. The playful and vibrant badinage of The Immovable Do is especially well realised – one of the very best moments in this opening disc - though the reflective and beautiful Colonial Song runs it, very differently, close. Those who have never come across the roistering cakewalk of In Dahomey are in for a treat.
 
The second disc is given over to arrangements. To a degree it’s of less pressing interest to the Grainger novice, but it’s essential ground for those who want to understand his enthusiasms and the musical means by which he conveyed them. The opening of the Tchaikovsky Piano Concerto makes some fearsome demands on the intrepid solo pianist whereas the Brahms Cradle song that cannily follows it is delightfully spun – lissom legato, not lion-hearted virtuosity. His arrangement of Nimrod is probably quite well known but that of Rachmaninoff – the finale of the Second Concerto – probably less so. I must admit that the Dowland transcription, of Now, O now, I needs must part, is absolutely irresistible in Jones’s performance. He really does have the touch for refinement in these works. Of the other works, it’s interesting to contrast Grainger’s own 1929 78 of the Rosenkavalier with Jones’s. Then there’s the convoluted tribute to Stephen Foster, the well-known Bach Blithe Bells and the same composer’s Fugue in A minor – it reminds one of Bach’s importance to Grainger, as performer and composer.
 
The third disc offers 28 examples of Graingeresque delight. Some are very concise folk-songs and traditional songs, others better known examples of his art. Let me just suggest a few which I think especially illuminating or unusual. If you’ve not come across The Merry King, try to do so, and you won’t regret it; it’s hauntingly beautiful. A Jutish Melody was recorded by Grainger in one of his very rarest 78s – a double-sided 1929 Columbia. He takes it a touch faster than Jones. Spoon River is played with vibrancy but Jones is ever alert as to treble colouration. There are also the simple and complex versions of One more day my John.
 
The fourth disc is a curious collection but that only makes it the more valuable for completists. We have Stanford’s Four Irish Dances, the deeply sensitive Fauré songs – what a shame Grainger didn’t record them – and the opening movement transcription of the Schumann Piano Concerto, which, like the Rachmaninoff, is probably best known by close readers of Grainger’s work in this field – a virtuosic single-voiced domestication, as it were, of the concerto literature. Another such is the better remembered Grieg Concerto first movement, also in this disc. His homage to Delius comes via the Air and Dance – but there are plenty of things to occupy the eager ears in this disc. Uppermost amongst them we find Angelus ad Virginem, a lovely carol, and then some of Grainger’s early works. These include the Schumannesque Klavierstücke in E, and the other early pieces which are variously awkward and Brahmsian or, in the case of the one in B flat, incomplete. There’s also the one in D, which Grainger dedicated to his father. The Bigelow March, an insouciant piece, was actually written by Ella Grainger, Percy’s wife.
 
The final disc has bigger works, ending with The Warriors. It also includes those pieces written for four hands on one piano, four on two pianos, six on one piano and six on two pianos. Children's March: "Over the Hills and Far Away" is a sonorous and ebullient example of Martin Jones and Richard McMahon playing on two pianos. But all these pieces are richly exciting and attractive. In the midst of all this don’t overlook the calm solo Grainger fashioned from William Byrd – The Carman’s Whistle or indeed Gershwin’s Embraceable You. The resilience of the performers and the clarity of the six-handed, two-piano, arrangement of The Warriors elevates it to a must-hear experience.
 
I hope this has given some indication of why this is so essential a box for admirers of the composer. The booklet notes are classy. What a splendid undertaking this was.
 
Jonathan Woolf, musicweb-international.com