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J.S. Bach, The Works for Organ
Kevin Bowyer
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| Disc I | ||||
| 1 | Ricercare in 6 voices (Organo pleno) BWV 1079/v | 7.49 | ||
| 2, 3 | Prelude and Fughetta in F BWV 901 | 1.22 | ||
| 4 | Fugue in B flat BWV 955 | 4.37 | ||
| 5, 6 | Prelude and Fughetta in G BWV 902 | 4.15 | ||
| 7 | Fugue in D minor BWV 948 | 3.28 | ||
| 8 | Fugue in A minor BWV 958 | 3.01 | ||
| 9 | Praeludium et Partita del tuono terzo BWV 833 | I Präludium | 1.25 | |
| 10 | II Allemande | 1.30 | ||
| 11 | III Courante | 1.08 | ||
| 12 | IV Sarabande | 0.42 | ||
| 13 | V Double | 0.42 | ||
| 14 | VI Air | 1.28 | ||
| 15 | Fugue in B flat BWV 954 | 4.58 | ||
| 16 | Fugue in E minor BWV 945 | 2.53 | ||
| 17 | Fantasia in C minor BWV 919 | 1.28 | ||
| 18 | Prelude in G BWV 902a/i | 1.24 | ||
| 19, 20 | Fantasia and Fugue in A minor BWV 944 | 0.37 | ||
| Disc II | ||||
| 1 | Fantasia in A minor BWV 922 | 6.25 | ||
| Capriccio sopra la lontananza del fratello dilettissimo BWV 992 Capriccio on the departure of a beloved brother | ||||
| 2 | I Arioso. Adagio. Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten. Coaxing by his friends to dissuade him from his journey | 1.58 | ||
| 3 | II Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen. Picturing of various calamities that might overtake him in foreign parts. | 1.41 | ||
| 4 | III Adagiosissimo. Ist ein allgemeines Lamento der Freunde. A general lamentation by his friends. | 2.48 | ||
| 5 | IV Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied. Here come his friends (realising that he will not be deterred) to bid their farewell. | 0.40 | ||
| 6 | V Aria di Postiglione. Allegro poco. Aria for the Posthorn | 1.17 | ||
| 7 | VI Fuga all’ imitatione di Posta. Fugue in imitation of the Posthorn | 2.50 | ||
| 8 | Ricercare in 3 voices BWV 1079/i | 5.37 | ||
| 9 | Ricercare in 6 voices (Alternative registration) BWV 1079/v | 7.42 | ||
| Die Kunst der Fuge (The Art of Fugue) BWV 1080 | ||||
| 10 | Contrapunctus 1 | 3.17 | ||
| 11 | Contrapunctus 2 | 2.52 | ||
| 12 | Contrapunctus 3 | 2.53 | ||
| 13 | Contrapunctus 4 | 5.10 | ||
| Disc III | ||||
| 1 | Contrapunctus 5 | 3.25 | ||
| 2 | Contrapunctus 6 in Stilo francese | 4.06 | ||
| 3 | Contrapunctus 7 per augmentationem et diminutionem | 4.04 | ||
| 4 | Contrapunctus 8 | 5.31 | ||
| 5 | Contrapunctus 9 alla Duodecima | 3.27 | ||
| 6 | Contrapunctus 10 alla Decima | 4.00 | ||
| 7 | Contrapunctus 11 | 7.10 | ||
| 8 | Contrapunctus 12 Canon alla ottava | 2.58 | ||
| 9 | Contrapunctus 13 Canon alla Duodecima in contrapunto alla Quinta | 2.14 | ||
| 10 | Contrapunctus 14 Canon alla Decima contrapunto alla Terza | 4.38 | ||
| 11 | Contrapunctus 15 Canon per Augmentationem in contrario motu | 4.04 | ||
| 12 | Contrapunctus 16 invertus | 2.37 | ||
| 13 | Contrapunctus 17 rectus | 2.52 | ||
| 14 | Contrapunctus 17 invertus | 2.59 | ||
| 15 | Contrapunctus 18 Fuga a 3 soggetti [Fragment] | 8.15 | ||
| 16 | Wenn wir in höchsten Nöten sein BWV 668a | 5.26 | ||
| Recorded in Sct. Hans Kirke, Odense, Denmark, September 2001 | ||||
All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, public performance and broadcasting of this recording prohibited. | ||||