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| Scottish Chamber Orchestra, Jaime Laredo, conductor | ||||
| 1 | Mendelssohn, Symphony No. 4 in A major, Op. 90 Italian | I Allegro vivace | 10.23 | |
| Austro-Hungarian Haydn Orchestra, Adam Fischer, conductor | ||||
| 2 | Haydn, Symphony No. 6 in D major Le Matin | I Adagio-Allegro | 5.46 | |
| English Symphony Orchestra, William Boughton, conductor | ||||
| 3 | Copland, Appalachian Spring | 24.23 | ||
| The Hanover Band, Monica Huggett and Roy Goodman, directors | ||||
| 4 | Beethoven, Symphony No. 6 in F major, Op. 68 Pastoral | Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Cheerful feelings on arriving in the countryside I Allegro ma non troppo | 10.48 | |
| Orquestra Nacional de Cambra d'Andorra, Gerard Claret, concertino-director | ||||
| 5 | Vistes al mar, Toldrá | I Allegro con brio La ginesta | 4.47 | |
| English String Orchestra, William Boughton, conductor | ||||
| 6 | Berkeley, Serenade for Strings | I Vivace | 1.58 | |
| John Anderson, oboe, Philharmonia Orchestra, Simon Wright, conductor | ||||
| 7 | Cimarosa/Benjamin, Oboe Concerto in C minor | II Allegro | 2.27 | |
| 8 | Vivaldi, Oboe Concerto in D major, F VII 10 (RV 453) | I Allegro | 3.19 | |
| Philharmonia Orchestra, William Boughton, conductor | ||||
| 9 | Smetana, The Bartered Bride | Overture | 6.58 | |
| Track 1: Recorded in the City Hall, Glasgow, 16-17 June 1986 | ||||
| Track 2: Recorded in the Haydnsaal, Esterhàzy Palace, Eisenstadt, Austria, April 1989 | ||||
| Track 3: Recorded in the Great Hall, Birmingham University, 5-7 January 1990 | ||||
| Track 4: Recorded at All Saints' Tooting, London, 10-12 August, 1987 | ||||
| Track 5: Recorded in the Auditori Nacional d' Andorra 25-28 April 1996 | ||||
| Track 6: Recorded in the Great Hall, Birmingham University, 18-19 May 1991 | ||||
| Track 7-8: Recorded in St. Jude-on-the-Hill, Hampstead, 5-6 January 1989 | ||||
| Track 9: Recorded in the Royal Albert Hall, London, 11-12 April 1988 | ||||
All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, public performance and broadcasting of this recording prohibited. | ||||