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Die Zauberflöte
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| Music by Wolfgang Amadeus Mozart (1756 - 1791) | ||||
| Libretto by Emanuel Schikaneder | ||||
| Sarastro, Wilhelm Strienz, bass | ||||
| Tamino, Helge Roswaenge, tenor | ||||
| Speaker, Walter Grossman, bass | ||||
| Second Priest, Ernst Fabbry, tenor | ||||
| Queen of the Night, Erna Berger, soprano | ||||
| Pamina, her duaghter, Tiana Lemnitz, soprano | ||||
| First Lady, Hilde Scheppan, soprano | ||||
| Second Lady, Elfriede Merherr, soprano | ||||
| Third Lady, Rut Berglund, contralto | ||||
| Papageno, Gerhard Husch, baritone | ||||
| Old Woman / Papagena, Irma Beilke, soprano | ||||
| Monostatos, the Moor, Heinrich Tessmer, tenor | ||||
| First Boy, Irma Beilke, soprano | ||||
| Second Boy, Carla Spletter, soprano | ||||
| Third Boy, Rut Berglund, contralto | ||||
| First Man in Armour, Heinrich Tessmer, tenor | ||||
| Second Man in Armour, Walter Grossman, bass | ||||
| Favres Soloisten Vereinigung, Berlin Philharmonic Orchestra | ||||
| Sir Thomas Beecham, conductor | ||||
| Recorded in the Beethovensaal, Berlin, 8 - 10, 12, 13, 15 November 1937, 24 February & 2, 8 March 1938 Recording Producer Walter Legge, Balance Engineer Robert Beckett Originally released as HMV DB 3465 - 3483, Matrix Numbers: 2RA 2416 - 2439, 2447 - 2459 | ||||
| DISC 1 | ||||
| 1 | Overture | 7.53 | ||
| ACT I | ||||
| 2 | No. 1, Introduction | Zu Hilfe! Zu Hilfe! (Tamino, The Three Ladies) | 5.55 | |
| 3 | No. 2, Air | Der Vogelfanger bin ich ja (Papageno) | 2.49 |  |
| 4 | No. 3, Air | Dies Bildnis ist bezaubernd schon (Tamino) | 3.54 | |
| 5 | No. 4, Recitative and Air | O zitt're nicht, mein lieber Sohn! (Queen of the Night) | 4.35 | |
| 6 | No. 5, Quintet | Hm, hm, hm, hm! (Papageno, Tamino, The Three Ladies) | 6.22 | |
| 7 | No. 6, Trio | Du feines Taubchen, nur herein! (Monostatos, Pamina, Papageno) | 1.45 | |
| 8 | No. 7, Duet | Bei Mannern, welche Liebe fuhlen (Pamina, Papageno) | 2.58 | |
| 9 | No. 8, Finale | Zum Ziele fuhrt dich diese Bahn (The Three Boys, Tamino) | 10.56 | |
| 10 | Wie stark ist nicht dein Zauberton (Tamino) | 3.17 | ||
| 11 | Schnelle Fusse, rascher Mut (Pamina, Papageno, Monostatos) | 3.18 | ||
| 12 | Es lebe Sarastro, Sarastro lebe! (Chorus, Papageno, Pamina) | 1.42 | ||
| 13 | Herr, ich bin zwar Verbrecherin (Pamina, Sarastro) | 6.53 | ||
| Track 5 - Berlin State Opera Orchestra, conducted by Bruno Seidler-Winkler | ||||
| DISC 2 | ||||
| ACT II | ||||
| 1 | No. 9 | March of the Priests | 3.59 | |
| 2 | No. 10, Air with Chorus | O Isis und Osiris (Sarastro, Chorus) | 3.44 | |
| 3 | No. 11, Duet | Bewahret euch vor Weibertucken (Speaker, Second Priest) | 1.19 | |
| 4 | No. 12, Quintet | Wie, wie, wie? (The Three Ladies, Papageno, Tamino) | 3.06 | |
| 5 | No. 13, Air | Alles fuhlt der Liebe Freuden (Monostatos) | 1.18 | |
| 6 | No. 14, Air | Der Holle Rache kocht in meinem Herzen (Queen of the Night) | 2.56 | |
| 7 | No. 15, Air | In diesen heil'gen Hallen (Sarastro) | 4.41 | |
| 8 | No. 16, Trio | Seid uns zum zweiten Mal wilkommen (The Three Boys) | 1.36 | |
| 9 | No. 17, Air | Ach, ich fuhl's (Pamina) | 4.54 | |
| 10 | No. 18, Chorus of Priests | O Isis und Osiris, welche Wonne! (Chorus) | 2.59 | |
| 11 | No. 19, Trio | Soll ich dich, Teurer, nicht mehr sehn? (Pamina, Sarastro, Tamino) | 3.37 | |
| 12 | No. 20, Air | Ein Madchen oder Weibchen (Papageno) | 3.57 | |
| 13 | No. 21, Finale | Bald prangt, den Morgen zu verkunden (The Three Boys, Pamina) | 6.31 | |
| 14 | Der, welcher wandelt diese Strasse (Two Men in Armour) | 4.36 | ||
| 15 | Tamino mein! O welch ein Gluck! (Pamina, Tamino, Two Men in Armour) | 3.57 | ||
| 16 | Ihr Gotter, welch ein Augenblick! ... Triumph, Triumph, du edles Paar! (Pamina, Tamino, Chorus) | 3.19 | ||
| 17 | Papagena! Papagena! Papagena! (Papageno, The Three Boys) | 5.17 | ||
| 18 | Pa-pa-gena! Pa-pa-geno! (Papageno, Papagena) | 2.27 | ||
| 19 | Nur stille, stille, stille, stille! ... Die Strahlen der Sonne vertreiben die Nacht (Monostatos, Queen of the Night, The Three Ladies, Sarastro, Chorus) | 5.10 | ||
| All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, public performance and broadcasting of this recording prohibited. | ||||