Soler 13 Sonatas - Boccherini Fandango for 2 harpsichords

The harpsichord music of Antonio Soler is to a great extent overshadowed by the keyboard works of his near contemporary Domenico Scarlatti, music master to Queen Maria Barbara of Spain. Soler though, rightly claims a prominent position amongst those few select composers who became beacons of the Classical Enlightenment and whose music possessed elements of genius. At the age of twenty-three Soler took Holy Orders, entering the Escorial as a Hieronymite monk in the Order of Saint Jerome where he remained in relative confinement for the rest of his life. His existence at the Escorial is well documented by a colleague who wrote an extremely detailed obituary notice, describing a man who loved his cell and was always there except for duty. Whilst at the Escorial, Soler studied with José de Nebra and Scarlatti. Soler’s output of around 200 harpsichord sonatas were written for the Infante don Gabriel, whom Soler taught from around 1765. The sonatas on this CD can be pigeonholed into three categories: the dance (sonatas R21, R118, R43 & R92d). Those which are slower and more vocal in nature (R4 & R110) with a hint of the melismatic expression found in cante hondo: a pure form of Andalucian folk music. And those which lean towards the new ‘galant’ style (R56 & M27). There are also frequent echoes of the guitar punteado and rasgueado styles, R86 & R43 which are also related to the dance.

Luigi Boccherini was born in Lucca, Italy in 1743 and was renowned as a composer and ‘cellist. In 1761, Boccherini went to live in Madrid where he was appointed music master to the Infante Luis Antonio, and he would certainly have met Soler. This version of Boccherini’s fandango, from the last movement of Quintet No 4 in D major, is Richard Lester’s own arrangement for two harpsichords.

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'Richard Lester has gathered 13 of Padre Soler's sonatas, presenting them in a manner that eloquently demonstrates their affective variety, formal mastery and imagination exploitation of the keyboard...The high technical values of the recording capture the distinctive qualities of the various instruments in their full dimensionality...It is a pleasure to encounter intelligent, vivd performances of the music that sprang in abundance from their fertile soils.' Patrick Rucker, International Record Review, September 2013

'The music on this exciting and enticing CD from Nimbus is expertly executed by Richard Lester. We soon hear many of the qualities which are to be inferred from knowing only that much about Soler's life. There is a flare to the British performer's playing from the very first bar of the first of the 13 harpsichord sonatas included… The booklet has essays by Lester offering just the right amount of information for an enthusiast and/or specialist as well as drawing those new to this delightful world in. Lovers of the Baroque keyboard will want to add this to their collection without hesitation.' Mark Sealey, Classical Net, June 2013

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