Bach Sonatas for Flute and Continuo

£19.99
In stock
Catalogue Number
NI5829

In his first great monograph on the master of 1802, Johann Nikolaus Forkel writes that Bach created exceptional compositions for all instruments, in terms of both the musical forms and technical possibilities of this era. One of these is surely the undisputed grand collection of harpsichord and organ works, but also the repertoire of chamber music for the other solo instruments, passed down over the generations. Much of this has probably been lost forever, but there are still some phenomenal components left, particularly in terms of their content. In the violin and cellist repertoire, solo sonatas, partitas and suites hold a key technical and musical position like no other music of the Baroque period. And it is probably a similar case for the flutists ...

Manufacturer: Wyastone Estate Limited, Wyastone Leys, Monmouth, NP25 3SR
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Reviews:

"Hansgeorg Schmeiser plays the two solo Partitas with much felicity, and his flute dominates the six sonatas too, partly because the Nimbus recording is comparatively resonant. Even so the ensemble is well integrated and well balanced, yet with clear detail. The C minor Partita is probably authentic and makes an additional bonus, so this excellent new set goes to the top of the list of recommendations." The Penguin Guide


"This well-produced two disc set features a clarity of sound one has come to associate with Nimbus. Bach’s flute sonatas are staples in the instrument’s repertoire, and this recording contains the set of six sonatas BWV 1030-1035, as well as three other flute works, including the unaccompanied A minor partita. Schmeiser makes a very pleasing, warm tone, and his modern flute is beautifully balanced by the harpsichord and cello.

The highly chromatic and substantial B minor sonata begins, with its musically complex opening movement, lyrical slow movement and fugue-style Presto, which gives way into a gigue-style allegro. This is a difficult work, with complex phrasing and stamina required of the performers. Schmeiser’s tempi are unhurried, and his playing possesses a sense of effortless control.

The E minor sonata is one of my favourites, and Schmeiser performs the first movement with just enough rubato for the phrasing to be clear, without getting in the way of the line. The second movement Allegro is spritely and energetic, with a lightness of touch and clear articulation, while the magnificent slow movement never becomes over-indulged and retains a sense of gentle tranquility. The final movement is once again fast paced, and has occasional moments where the control seems to be overtaken by the momentum, and I would perhaps have enjoyed slightly more shaping in the line, but these are minor criticisms in an otherwise highly convincing performance…

Schmeiser’s interpretations are never self-indulgent, and one feels a sense of reverence for the music, with respectful and tasteful decisions made throughout the performer’s musical process. This is a wonderful collection of recordings which feel natural and well-considered. Excellent." Carla Rees, MusicWeb International 


 

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