Bernard van Dieren 'Chinese Symphony'
RECORD OF THE YEAR - MusicWeb-International
Bernard van Dieren was an Anglo-Dutch composer whose name was well-known in London musical circles in the 1920s and 1930s. Though born and raised in the Netherlands his music was little known there and he spent most of his adult life in London where his music was more discussed than played. He was praised extravagantly by some, and condemned equally fiercely by others. For various practical reasons, his music was more elusive than his personality, and the great achievement of these recordings is that for the first time we will be able to become familiar with a representative selection of his orchestral music in fine modern performances.
The so-called ‘Chinese’ Symphony is one of van Dieren’s most impressive early works. Entitled just Symphony Op. 6 by the composer, it was written between 1912 and 1914, and is scored for five soloists, chorus and orchestra. It was based on German translations of ancient Chinese poetry. These were taken from Die Chinesische Flöte, a popular volume of translations by Hans Bethge (1876-1946) published in 1907. Poems from this book were also set by Schönberg, Webern, Wellesz, Strauss and most famously by Mahler (Das Lied von der Erde). Though van Dieren was familiar with the work of some of these composers, we do not know if he had encountered Mahler’s masterpiece before writing his symphony. Only one poem appeared in both works – Der Trinker im Frühling. Alastair Chisholm
"I'm happy to report that William Boughton secures commendable results from a strong line-up of singers and his assembled BBC NOW forces; Raphael Wallfisch is at his customarily eloquent, self-effacing best in the Elegie. Excellently recorded in Cardiff's Hoddinott Hall, and knowledgeably annotated by Alistair Chisholm, this is a most enterprising and fascinating release." Gramophone Magazine
"The Symphony plays in one continuous movement but has eight distinct sections. It evokes 'the beauty of the dark blue night with the lake glistening in the moonlight' and depicts young lovers, once separated, now united. Midway comes an orchestral interlude, which precedes the final three sections. The Interludio is a nocturne, where van Dieren conjures up a moonlit scene by his deft use of varied orchestral pastel shades. The effect is spellbinding. Boughton directs a thoroughly well-rehearsed performance, allowing one to hear orchestral detail to the full. The chorus and soloists are similarly well-drilled and sustain the breadth of the work with intelligence and insight. All taking part are expertly balanced in the mix." Recording of the Month, MusicWeb-International
"Lyrita has brought van Dieren’s ‘Chinese’ Symphony in from the cold – and they’ve done so in style." John Quinn, MusicWeb-International