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Charlie LaVere & his Chicago Loopers - His 25 finest 1933-1951
Jazz pianist, singer and bandleader, Charlie LaVere (1910-1983) was the catalyst who, with his band the Chicago Loopers, created some of the finest so-called ‘Dixieland jazz’ ever recorded. Long sought out by jazz connoisseurs, these 16 great tracks, comparable in some ways to Muggsy Spanier’s “Great 16”, have never been collated onto a single CD until now. Such all-time greats as Jack Teagarden, Billy May, Matty Matlock and Joe Venuti joined LaVere in just four historic sessions from 1944-1950. There are so many classics here, including LaVere’s Very 8’n Boogie, and what is possibly Teagarden’s finest on-record tour de force, Lover.
But, additionally, our Retrospective covers the entire span of Charlie LaVere’s recording career in terms of both time and style, beginning with his 1933 debut recordings with Jack Teagarden’s band (I’ve Got “It”) and his first session as a bandleader, with his Chicagoans in 1935 (Ubangi Man). As a smooth-voiced vocalist he had a million-selling hit in 1947 with Gordon Jenkins (Maybe You’ll Be There), whose orchestra also accompanies Louis Armstrong in the closing Indian Love Call from 1951, which has Satchmo’s trumpet happily duetting with LaVere’s piano. This is a compendium of seldom-aired tracks that warrants a place in any jazz collection.
Manufacturer: Wyastone Estate Limited, Wyastone Leys, Monmouth, NP25 3SR
Email: sales@wyastone.co.uk
Reviews:
"The bulk of the CD is comprised of the master takes from LaVere’s four sessions for Jump. Those dates are full of gems with arranged ensembles alternating with jammed choruses and swinging solos from the likes of Billy May (who during 1944-45 was a hot trumpeter), Chuck Mackey or Rico Vallese on trumpet, Floyd O‘Brien or Joe Yukl on trombone, clarinettist Matty Matlock, violinist Joe Venuti (a major addition to one of the dates), bass saxophonist Joe Rushton, guitarist George Van Eps, and Jack Teagarden on the 1950 session who, in addition to his trombone playing (including a dazzling display on “Lover”), sings “It’s All In Your Mind” and “A Monday Date.” These performances, which include such numbers as “Sunday,” “Baby, Won’t You Please Come Home,” and “I’m Coming Virginia,” are a joy. It is a pity that the alternate takes (which were last released on the very elusive Lp Jump 12-4) were not included…
This CD is the best possible way to discover the jazz talents of Charles LaVere." Scott Yanow, The Syncopated Times