Franz Schubert Piano Music Volume 4
This is the fourth in a series of six CDs of Schubert piano sonatas, whose issue is scheduled to be completed this year. I warmly received the first three in my previous reviews and this latest instalment maintains their quality.
Vladimir Feltsman, whose Bach recordings impressed me so greatly more than a decade ago, is now embarking on the complete piano sonatas of Schubert. This is Vol. 4 in the series, and it is indeed an extremely interesting approach to the music. The very opening of the sonata D. 784 is quiet, introspective, even mysterious in mood, but as soon as the volume increases Feltsman pounces on the keyboard like a tiger. Another interesting feature of his performance is that, despite the introspective passages, he takes this echt-Romantic music in strict tempo, using touches of rubato in the soft moments but a full-speed-ahead approach in the louder, faster moments.
This gives the music a more cohesive feeling than is often the case in Schubert, whose piano sonatas are more like extended fantasias. Each movement is a peculiar and self-contained psychological trek, while at the same time the separate movements never quite seem to relate to one another the way they do in Beethoven. Thus, to a point, I found Feltsman’s approach both bracing and musically logical.
By and large, I find Feltsman’s approach more appropriate in the Sonata D. 959, but this is a work where the phrases seem to follow one another with greater logic and less contrasts of mood. I was mesmerized by the opening movement of this sonata, where the tumblers all fall into place and everything makes perfect sense, and his performance of the second movement is particularly fiery, even a bit edgy, which I liked. I also liked the introspection he brought to the final section of that movement, and taken on its own merits, this was quite fascinating. Lynn René Bayley