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Julius Röntgen: Piano Music Vol. 6
This recording provides the listener with a chronological overview of Julius Röntgen’s creative output, from his earliest published composition, written in 1864—when he was just nine years old—to pieces written as a mature composer five decades later. The latter reveals a composer of outstanding skill, diverse influences, and a master of musical forms and compositional techniques. It has been said that “One would look in vain for anything truly original or shocking in Röntgen’s output….”. However, there are works included on this recording that dispel that assumption. This pianist would argue that three works stand out, which are truly unique and powerfully original. The first is a short Toccata, which is something of a mystery work having never been published and lacking a date of composition. The others are the Sonata in C Minor from 1877 and the Passacaglia and Fugue of 1911. It is the latter that most decidedly distinguishes Röntgen as having a truly original voice. Julius Röntgen composed over 600 works and is especially known for his concertos, symphonies and chamber music. His piano music has remained unjustifiably neglected since he died in 1932. © Mark Anderson
Manufacturer: Wyastone Estate Limited, Wyastone Leys, Monmouth, NP25 3SR
Email: sales@wyastone.co.uk
Reviews:
“…more fascinating piano works by the sorely neglected Julius Röntgen who once again shows himself here to have been a completely original composer. This fascinating selection of works, coupled with the magnificent playing by Mark Anderson, the sympathetic recording by Nimbus records and the interesting and detailed notes by the pianist himself all make for a disc in this continuing series that I will return to often. I am already looking forward to a volume 7, should those responsible oblige.” Jonathan Welsh, musicweb-international.com [read complete review]
"This is Volume 6 in a series issued by Nimbus, with Mark Anderson performing. I have listened to all previous ones with pleasure and thought Anderson was an ideal interpreter… Anyway, these pieces are simple and lovely, and only the longest one is energetic in its outer parts. Another group consisting of 5 slightly longer pieces is Dolce far Niente (sweet inactivity), Op. 60. Dating from 1909, they too are pretty and delicate." American Record Guide
