Julius Röntgen: Three Viola Sonatas

£12.99
In stock
Catalogue Number
NI8118

The sonatas were written between November 1924 and March 1925. They show the composer at the height of his art. His friendly respect for the great North German and Viennese masters has quite obviously found its way into his creative thinking, and he makes use of the most diverse procedures with a sure hand. Nowhere is there a dubious proportion, no piece seems too long, no subject unduly strained. It should also be noted that Röntgen has a profound knowledge of the instruments - himself an excellent pianist, the piano part makes great demands, the viola part skillfully exploits the advantages of the instrument without ever overtaxing it.  © Herbert Kefer

Manufacturer: Wyastone Estate Limited, Wyastone Leys, Monmouth, NP25 3SR
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Reviews:

"These beautifu erformances were warmly recorded at Nimbus's Wyastone Leys Concert Hall in February last year and are the epitome of civilised music-making in the best European tradition." Geraint Lewis, Gramophone Magazine 


"Julius Rontgen (1855-1932) is considered a significant representative of the German-Dutch Romantic cultural sphere. The new album by Herbert Kefer and Markus unites Rontgen's three viola sonatas in C minor, A-flat major, and A minor, composed between 1924 and 1925. Even if the music might seem a bit eclectic, it is a real pleasure to listen to, especially when played as brilliantly as here. The music is highly dialogic; there is no dominant or accompanying voice, and this creates a fascinating soundscape. The two artists are at a high artistic peak in this vibrant collaboration, not to mention their virtuosic mastery of their instruments. For without their exceptionally high level of artistry, the concept of dialogue would not be possible. The Sonata in C minor is most captivating, with its dramatic impetus alternating with enchantingly otherworldly lyricism. The Andante seduces us with a sumptuously romantic theme, and the third movement is spiritedly engaging. Kefer and Schirmer demonstrate absolute consistency in their compositional approach." Pianist Magazine (translated from German) 


 

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