Leoš Janáček: Jenůfa - Opera in three Acts

"The cast stands out for a markedly theatrical approach. Laila Andersson-Palme, in the role of Jenůfa, builds a vulnerable but firm character, with a clear and expressive vocal line that credibly conveys the psychological evolution of the character. Kerstin Meyer, as Kostelnička, gives a particularly striking performance, with a vocal and dramatic authority that makes the character's cruelty plausible without renouncing its tragic dimension. Among the male characters, Jonny Blanc, in the role of Števa, offers a convincing portrait of the irresponsible seducer. The voice, with a clear and luminous timbre, suits the superficial character of the character and knows how to convey both the initial braggadocio and his progressive flight from responsibilities.

The female voices of the choir, in particular, contribute decisively to creating a compact choral atmosphere, essential in a work in which the weight of the collective is as decisive as that of the protagonists.
The orchestra, precise and contained, serves the drama with a harsh but transparent sonority, fully suited to Janáček's aesthetic. It is worth highlighting the ability of the group to integrate choir, soloists and orchestra within the same dramatic vision. The choir of the Swedish Royal Opera is not treated as a decorative element, but as an extension of the oppressive community that surrounds the protagonist." Marçal Bototau, Sonogram Magazine 

"…There’s no question of the astonishing range and versatility of the soprano Laila Andersson-Palme during the course of her career. From the Queen of the Night to Elektra is the title of another Sterling release (CDA1806) which gives a good sense of this… Sterling has provided interesting documentation. Sadly there are no texts or translations, but we do get an interview with Andersson-Palme and many pictures from the apparently traditional production Götz Friedrich staged. The recording is dedicated to his memory, a nice touch.” © 2026 Fanfare