Mendelssohn: The Complete Piano Music [6CDs]

£29.99
In stock
Catalogue Number
NI1772

CD 1 

Three Caprices, Op. 33
Capriccio in F sharp minor, Op. 5
Capriccio in E major, Op. 118
Scherzo in B minor
Scherzo a Capriccio in F sharp minor
Andante and Rondo Capriccioso, Op. 14
Perpetuum Mobile, Op. 119
Two Klavierstucke
Andante Cantabile and Presto Agitato
 
CD 2
Sonata in B flat major, Op. 106
Sonata in E major, Op. 6
Sonata in G minor, Op. 105
Six Kinderstucke, Op. 72
 
CD 3
Six Preludes and Fugues, Op. 35, No. 1 in E minor
Six Preludes and Fugues, Op. 35, No. 2 in D major
Six Preludes and Fugues, Op. 35, No. 3 in B minor
Six Preludes and Fugues, Op. 35, No. 4 in A flat major
Six Preludes and Fugues, Op. 35, No. 5 in F minor
Six Preludes and Fugues, Op. 35, No. 6 in B flat major
Prelude and Fugue in E minor
Three Preludes, Op. 104
Three Studies, Op. 104
Study in F minor
 
CD 4
Variations Serieuses in D minor, Op. 54
Three Fantasies or Caprices, Op. 16
Variations in E flat major, Op. 82
Fantasy in F sharp minor, Op. 28
Variations in B flat major, Op. 83
Fantasy on 'The Last Rose of Summer', Op. 15
 
CD 5
Songs Without Words, Book One, Op. 19
Songs Without Words, Book Two, Op. 30
Songs Without Words, Book Three, Op. 38
Songs Without Words, Book Four, Op. 53
Songs Without Words, Book Five, Op. 62
 
CD 6
Seven Characteristic Pieces, Op. 7
Gondellied in A major
Albumblatt in E minor, Op. 117
Songs Without Words, Book Six, Op. 67
Songs Without Words, Book Seven, Op. 85
Songs Without Words, Book Eight, Op. 102
Song Without Words, Op. 85, No. 5 (Manuscript version)
Song Without Words, Op. 102, No. 2 (Manuscript version)

Manufacturer: Wyastone Estate Limited, Wyastone Leys, Monmouth, NP25 3SR
Email: sales@wyastone.co.uk

Reviews:

"Martin Jones' musicianship is perhaps seen at its best in his playing of the 'Songs Without Words'. For many years Mendelssohn's music for the keyboard was neglected but this six CD set, so beautifully played by Martin Jones, will do much to earn Mendelssohn's music for the keyboard the attention it deserves." Anthony Paterson, Contemporary Review

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