Rachmaninoff Piano Concertos 1 & 2

"Once again I can celebrate Nimbus's balance and good sound quality, Otaka's eloquence (try the start of the Second Concerto's Adagio sostenuto) and John Lill's honest-to-goodness freedom from all excitable virtuoso flummery or neurosis. Never for a second do you hear a melody at the expense of darkly swirling left-hand accompaniments; everything is articulated with sterling clarity and good sense." Bryce Morrison, Gramophone