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Smetana, Dvorak & Janacek: Works for String Quartet

NI6376
£14.99

Details

The Wihan Quartet has been described by International Record Review as: ‘one of the best quartets in the world today.’ In 2015 the Quartet celebrated 30 years since its formation, and over the years it has developed an outstanding reputation for the interpretation of its native Czech heritage, and of the many classical, romantic and modern masterpieces of the string quartet repertoire.

Smetana, Dvorak & Janacek: Works for String Quartet

Reviews

The Wihan Quartet has secured a reputation as one of the world's finest chamber ensembles. Notwithstanding two changes in personnel in recent years, they have maintained their high standing. This collection of Czech repertoire seems carefully chosen to avoid the front-line classics: Smetana's Second Quartet is intense and worrying, while Janacek's second is intense and exultant. Side stepping Dvorak's American Quartet, they offer us one of the composer's most beguiling middle-period chamber works. Smetana's Second Quartet was written in terrible circumstances, when he was in the last stages of syphilis and suffering bouts of dementia, concentration near impossible. The work can seem abrupt, but it is a masterpiece of concentrated passion and one much admired by Schoenberg. The Wihan Quartet's reading of the first movement is well-considered and plots a convincing course through Smetana's multitude of tempo indications. If they do not quite convey the spectral qualities of the succeeding 'Polka', they bring extraordinary cohesion to the final movements. In Dvorak's utterly different quartet the ensemble is at its best in the last three movements with relaxed and refined performances. The first movement, shorn of its exposition repeat, is rather uncertain in tempo, though superbly played. Inspired by his love for a much younger woman, Janacek's Second Quartet inhabits a much more febrile world. The Wihan Quartet are alive to its demands in a powerfully engaged performance, haunting in the third movement and incandescent at the end of the fourth. If these readings lack the last iota of magic, they are certainly highly recommendable. BBC Music Magazine

PERFORMANCE    ****
RECORDING          ****