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Thomas Adès, William Marsey & Oliver Leith Orchestral Works
This album celebrates the work of Thomas Adès, one of Britain’s ‘most imaginative composers’ The Guardian, and Artist-in-Residence of the Hallé (2023-25). Alongside a survey of his recent works for orchestra are two pieces by composers who have been championed by Adès. Conducted by Thomas Adès, ‘one of the most accomplished and complete musicians of his generation’ (New York Times) this album features three world premiere recordings, including Adès’ Aquifer. Taking its name from an underground geological structure through which water seeps and flows, the work features orchestral writing which is full of colour and movement, flamboyant climaxes and rich expression. Written during the first Covid lockdown, for an orchestra that had to play socially distanced, Dawn is constructed from a slowly unfolding passacaglia which passes between instruments, depicting the sunrise moving continuously around the world, in music of sonic beauty. Repetition is also at the heart of Shanty, as material is passed between orchestral voices, with hypnotic and captivating results. In contrast, ingenious use of imitation and repetition produce a gripping effect in the invigorating brass fanfare Tower. Premiere recordings of two works closely associated with the Hallé complete this album. Leith’s Cartoon Sun, described as ‘mesmeric’ (The Arts Desk), was commissioned by the Hallé. The processional piece displays a rich soundscape, coloured with large tolling bells and stunning orchestral climaxes. The Hallé and Adès gave the world premiere of William Marsey’s Man with Limp Wrist’ in 2023. Inspired by a Salman Toor oil painting and with writing which is rooted in historical melody and harmony, the music is full of emotion and expression. Thomas Adès, CBE: internationally acclaimed composer, pianist and conductor whose work has been presented in leading concert halls and opera houses worldwide. Recordings of his works have received numerous international awards and in 2024 Adès received the prestigious Royal Philharmonic Society Gold Medal from Sir Simon Rattle, who described him as being an ‘outrageously gifted’ musician.
Manufacturer: Wyastone Estate Limited, Wyastone Leys, Monmouth, NP25 3SR
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Reviews:
"The unpromising title of Marsey’s Man with a limp wrist also defies expectations: it comes from a painting by Salman Toor, with additional works by the artist inspiring other movements. This is a most attractive procession of eight domestic scenes, none outstaying their welcome, with the orchestra used sparingly in chamber proportions. They include an inebriated Bar Boy who threatens to break into a dance but keeps dropping beats; a brass chorale for a Family Photo;a short effective Ghost Story, and much more." Andrew Plant, British Music Society
"This recording is much more than a simple collection of contemporary pieces: it is a living sample of the expressive potential of today's orchestra, and a testimony to the talent of three composers who, each with their own voice, contribute to expanding the limits of the musical language of the twenty-first century." Josep Bosch, Sonogram Magazine
"If a sense persists of his music having an essence that beguiles more than it conceals in intrinsic substance, no living composer has reinvented the wheel quite so skilfully as Adès." Richard Whitehouse, Arcana