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Willie Smith (1910-1967) stands alongside Johnny Hodges and Benny Carter as one of the three great alto saxophone players of the pre-Charlie Parker generation – yet this is the first double CD devoted to his formidable artistry. Retrospective’s tribute to this towering figure in jazz history presents a 48-track survey that tracks his extraordinary career from sax-section leader in the 30s to high-flying soloist in the 50s, opening with 10 classics from his 13 years as one of the big stars of the Jimmie Lunceford Orchestra (Uptown Blues). He then joined Harry James’ band for many years, where his sensationally spectacular solo gifts perfectly matched James’ incomparable trumpet dash (10 prime examples include I’m Confessin’). A superb trio stem from his 1951 year with Duke Ellington (Please Be Kind), along with several exciting extracts from his many famous live performances with Jazz At The Philharmonic (How High The Moon). In addition, virtually all (a glorious dozen) of the small group recordings he led in 1945/7 are featured (Tea For Two), as well as a rare quartet of quartet numbers with Nat King Cole as “The Keynoters”. Here is an album that demands a place in every jazz lover’s collection.
The album title certainly makes a sweeping statement and I'm not qualified to disagree. However, it is a claim which might take some living up to. Hyperbole or not, there is plenty to enjoy in this set…
My feeling is that the second disk will be of most interest to jazz aficionados, including as it does The Young Man with a Horn, Perdido and Cotton Tail in the repertoire. The CD booklet is enhanced with
an informative essay from the very knowledgeable Digby Fairweather, which for me is the icing on this
entertaining jazz cake.
THE JAZZ RAG
"With detailed discographies and informative notes by Digby Fairweather this is... an overdue and fitting tribute to an unfairly neglected musician"